Sunday, December 6, 2009

sweet completion!





I look forward to seeing everyones work. I will be presenting on tuesday. I was able to print a bit larger than last time, however this time I printed on a mat paper to see how it would differ from the previous images- overall I'm happy with the results.

Wednesday, November 18, 2009

Clive Barker at Bert Green

I am hoping to go see this show some time relatively soon as I am a huge fan of Clive Barkers work. It looks like it is a combination of his paintings, drawings, photos and masks. Here is a brief preview- hopefully i can post something about it relatively soon after I go and see the exhibit. Clive Barker. (the current show is near the bottom of this page)

Saturday, November 14, 2009

music and art

im always interested in hearing what people listen to at any given moment. so here is ten albums that i am listening to the most regularly in my shuffle. if you are interested in any of these musicians let me know what you are listening to- i eat music up.

blonde redhead misery is a butterfly
thom york erasure
glass candy yes music
nick cave and warren ellis white lunar
blank dogs under and under
aimee mann lost in space
a place to bury strangers
goldfrapp supernature
dead mans bones dead mans bones
midnight juggernauts dystopia

Friday, November 13, 2009

Marilyn Minter at Regen Projects

I went to the Marilyn Minter show at Regen Projects in West Hollywood today and highly recommend it. They are showing a bunch of large scale photography and paintings. When I started looking at her paintings up close to see if I could learn something about her process I was surprised to see faint finger prints inbedded all over the surface. I found out later that she uses enamel paint because she is able to get a certain blending affect with her fingers. I was not all that impressed with her photos or paintings of Pamela Anderson- not merely because of the subject matter, but she seemed to be less interested in the formal complexities than in her pieces dealing with the mouth. I am also very interested in her relationship to commercial photography- she says she only takes on commercial work that she feels like she can also adapt to her fine art practice. Sometimes this issue becomes a conflict for her. If you haven't been definitely go- its worth your time.

Thursday, November 12, 2009

A NYC magazine i got published in this summer

When I went to the Francis Bacon retrospective over the summer I met up with some friends of a friend who were the art editors for Constellation magazine. They decided to promote my work and here is the link if you are interested: Constellation just go to "show a preview" im on page 13- go figure.

things that make me smile

clubber lang

Friday, November 6, 2009

25 Things You Might Not Know About Reality (Not Me)

by Jonathan Dean

1. It's not that there is or there isn't a God. It's that even if there
were a God, he would be unable or unwilling to help or intervene in any
way. He created us and then forgot about us. Or worse, he created us,
was disgusted, and moved on. Or he's dead. Either way, it's best not to
spend time thinking about it.

2. Next time someone regales you with a long diatribe about the evils
of capitalism, ask them to propose a better system. If they can't do
it, they are stupid. Any deluded neo-Marxist or wing nut
anarcho-syndicalist worth their salt should be able to immediately cite
the potlatch or "gift economy," or anarchist pirate states as a
counter-example without even getting into the whole communist argument.
But remember this: all of these utopian schemes depend upon basic
assumptions about morality and human nature that are completely
untenable.

3. Here are those assumptions: 1) That an ideal society has something
to do with creating the most favorable situation for the greatest
amount of people. 2) That politics and economics have the power to
create a morally equitable situation for anyone. 3) That pain,
discomfort, inequality, slavery, genocide, disease and unhappiness can
or should be vanquished from the world.

4. Quit saying "mind and body." Your mind is your body, and your body
is your mind. You can't separate them, and trying to conceive them as
separate entities leads to all kinds of stupid ideas about reality.

5. Same with "spirit and flesh" or "noumenal and phenomenal." Retarded
distinctions invented by people with an agenda. The only reason to
believe that there is a spiritual world and a material world is so that
one can be privileged while the other is degraded.

6. Starting to get the picture? People privilege the mind in order to
denigrate the body, they elevate the spiritual in order to mortify the
flesh. All stupid ideas that have caused a lot of problems in this
world. Still, as I said above, it really can't be any other way. So get
used to these stupid ideas: they will keep recurring endlessly.

7. Conspiracy theorists get one thing right: everything is connected.
However, they make a fatal mistake by assuming that some particular
person, group or entity is pulling the strings. Sure, there is a
conspiracy, but it's an unconscious conspiracy: a conspiracy of the
stupid, vain, greedy, power-hungry and lazy. In any situation, one or a
combination of these motivations can provide 100% of the explanation
for all actions that seem to be secretly coordinated.

8. Magic(k) does exist. But it's not what you think. It has a lot more
to do with changing your own perceptual apparatus than changing
reality. If you screw up your head enough, the impossible becomes
possible. Disappointed? Clearly, the wizard business is not for you.

9. There is no "gay gene."

10. Why is everyone looking for a "gay gene"? Because it is politically
expedient to claim that homosexuality is genetic, like race or gender.
If it's not a choice, then gays should be a protected minority.

11. The problem here is the same problem presented by every other
binary. People think that it's either genetic or it's a choice.
Millions of gay people don't remember choosing. Therefore, it must be
genetic. This is a false binary. What if it is a choice, but a "forced
choice"? What if it's a choice, but one so contingent and unconscious
as to be virtually unknowable as a choice? Isn't this at least
possible? And please, let's not rehash the whole "everyone's bisexual,
really" cliché. If that is actually true, I don't want to know.

12. This brings up the whole "nature vs. nurture" thing, which is
another annoying argument based on false binaries. It's not one or the
other. It's not both. It's not neither. It's more complex than that.

13. Every time someone tells you that one thing is "the same" as
something else, point out the ways in which it is different. Focus less
on sameness and identity, and more on difference and complexity. Try
not to be reductive in your outlook, and see how it changes the picture
of what you thought were certainties about your reality.

14. Sure, reality is "mediated" by language. OK, you can't really "see"
objective truth; you can only see using your senses, and you can only
think in a predetermined language with meanings assigned arbitrarily
before you were even born. Sure, culture is a determining factor in
many (or most) issues we face. Sure, even quantum physics has
determined that a great deal of what we see is determined by what tool
we use to observe. And yeah, I guess you could use this to demonstrate
that we "make our own reality" or something like that (see films like
"What the Bleep Do We Know" or a lot of trendy New Age belief systems).
Fine. However, none of this should suggest to us that "there is no
reality" or that "we can't talk about reality" or anything like that.
That is pure solipsism; naive unrealism, as it were. Of course there's
a fucking reality. If anyone tries to tell you there isn't a reality,
they are trying to sell you something. And it might be Amway.

15. What can you do with the information in #13 and 14? Use this
knowledge to cut through the preponderance of bullshit arguments
getting volleyed around these days by people who might seem smart until
you really think about what they are saying. Arguments claiming moral
equivalence. Any time someone says "this kind of thinking leads to the
holocaust" or "that's what Hitler thought, too" or something like that.
Any time someone attempts to settle an argument by claiming both sides
are "equally valid" or similar bullshit. Any time someone informs you
that the DMT elves revealed to them that the human race was seeded by a
race of intelligent gaseous jellyfish from the Horsehead Nebula who
want us to learn to Love One Another (TM). They are all full of shit
and need to report to cult deprogramming immediately.

16. There is a relatively uncontroversial way of testing out bizarre
ethical injunctions or moral precepts, or even statements about reality
or identity. Try them on like you would a thrift store suit that wasn't
tailored for you. Walk around, see if the sleeves ride up or if the
pant legs end up under your shoes. In short, see if accepting this kind
of statement does anything for you. Does it increase your perception in
some areas or foreclose perception in others? Has it increased or
expanded your capacity to affect and be affected?

17. Drugs will expand your mind. But only some drugs. I have a list.

18. Even when completely alone, most act as if they are being watched
nearly all of the time. How could I possibly know such a thing? It's
simple: I've been watching them.

19. It is impossible to "be yourself," so stop trying. The very notion
is absurd, as even a rudimentary consideration will reveal.

20. It is, in fact, impossible to BE anything. No being, only becoming. This is not quite as dipshit as it sounds.

21. A lot of people will tell you that there is no good art or bad art;
it's all subjective. When you ask those people why so many discerning
people seem to agree on the greatness or terribleness of certain works
of art and certain artists, some will reply that this strange
convergence of opinion is clearly based on cultural assumptions or
institutional politics or canonicity or racism or sexism or cultural
imperialism or all of the above. I know from experience that these
kinds of people like being urinated on during sex.

22. Neoconservatives experience constant abdominal and rectal peristalsis.

23. Christians have sex less often than atheists, but when they do have sex, they take off more of their clothes.

24. The egg came first.

25. [deliberately left blank]

Voices

What do you do with so many voices pushing you in so many directions that make you feel like you just want to break? This seems to be the season for so many of my peers where they feel unable to pick themselves up from the onslaught of analysis, but they do only to be put back into the same position once again. The easy route would be to play the "cool" approach and brush it off like it doesn't matter (its a natural part of the process for your art to go into a slump right?) , but when you are spending 10 to 12 hours a day putting your guts into something it is nearly impossible to slough it off all cool and collected. So you work harder and dig deeper hoping that the process will lead you to some new and unexpected turn you never could have predicted. I want to say "great" if that is all that it takes than I'll just double my output and eventually I will come to the answer, but that is not really what its about either- its more complex than that. Having been outside of the academic sphere for nearly 8 years before returning to graduate school I have experienced the complete inattention and intense lows that one can go through in their artist practice, but I still kept creating. Why? That I cannot answer, but I think somewhere within this thought is what makes art worthwhile. You do it just because, because you have to and nothing and no one can stop you. There is a will that cannot be deterred. Its not easy and often takes more than it gives, but if you have to do it than you can alleviate the frustrations that overwhelm you, throw your hands in the air and keep going.

Thursday, October 22, 2009

New Images





I decided to change directions from what I was previously working on in class because I felt that the images seemed too literal and too quickly readable. So with that being said here are a few of my new images that I have been working on. I have printed all of these out so everyone will be able to see prints of these in class when I critique on tuesday. 

Monday, October 19, 2009

Society of the Spectacle

This article was written by Guy Debord in 1967. He was part of the International Situationists movement. I know it is not really current, but I still found a lot of interesting ideas that still seem to hold up to our present day socio-political situation. Well here it is Society of the Spectacle.
Go to the Situationist International Archive, then to 1967 Society of the Spectacle (1994 translation).

Wednesday, October 14, 2009

Monday, October 12, 2009

Graduate Advancement Show



If you didn't make it to the opening on sunday- I have two 6 ' x 8' paintings in the Gatov gallery. Please stop by this week to see them and let me know what you think.... If you can't make it- ill give you a break and post the photos of the paintings above, but you really should see them in person.

Wednesday, October 7, 2009

Friday, October 2, 2009

i dont really care about global warming but...

here is an interesting project: ice melts. 1000 ice men melting- enjoy!

Wednesday, September 30, 2009

brainwashed

Brainwashed.com is probably one of my favorite websites of musical criticism for experimental, neo folk, noise, and dark wave related bands. Plus I have to promote it because one of my good friends is a critic on this site.

Rogue helicopter pilots and "chameleon lemon-headed coward terrorist pussies."

Boing Boing is always a good place for absurdity, counter culture, the occult and pop culture. I don't have much more to say that can categorize this sight more effectively. Enjoy!

Friday, September 25, 2009

Project

Project Description Form

Project Name:

disCONNECT

Project Description:

My work will use a lot of compositing in order to construct compositions that are fragmented into a binary space consisting of above water shots of human forms and below water images that peer inside human anatomy to show a recreated world that does not link up with contemporary anatomical models. The figures will also be fragmented creating confusion between what the self is and what is the other. I will finally use these digital images as references for a larger sized series of paintings.

Conceptual Concerns:

I will be working with the human form, particularly focusing on the physical nature of the body. I will be working with the notions of artificially constructed boundaries that are created through psychological projections. My work will also engage in recreating internal and external realities of the human body through the means of light, imagination and memory.

Technical Skills Covered

I will master the ability to light situations consistently so as to composite varied elements of the human form in one cohesive environment. I will also learn to composite seamlessly so as to give the work an overall aesthetic ambiance that is not distracting. I will then subvert this in order to show the unnecessary quality of consistency.

Formal Guidelines:

I will make five digital images that will then be reconstructed as oil paintings which will all be 24” x 32”, except for the fifth and final painting which will be of a larger (yet to be determined) format. My project will be due near the end of semester( yet to be specifically determined.) Im thinking I might change my mind though- my project might never be completed or it could change course right in the middle and lead me to some completely other destination.

Artistic References

Jasper De Beijer, Marshall Arisman, Jenny Saville, Marylin Minter, Hanneline Rogeberg, Francis Bacon, Clive Barker, Jonn Balance,

Albert Camus, Nick Cave, Gennesis P Oridge, Douglas P, Michael Gira, Deleuze....

Readings

The Aesthetics of Risk, The Archive, books on human anatomy, Books on Microorganisms, Photoshop CS4 books, Igniting a Revolution, The Information Bomb, The Vision Machine, The Divided Self: an existential study in sanityand madness…

Grade

My grade should be based on a combination between how much I have learned or progressed from the first photo

to the last, and how aesthetically and intellectually challenging the work is from an outside perspective.

Goals List

-make preliminary sketches to start my initial idea for the project.

-take test photo shots in order to come to initial ideas of formal elements.

-make more in depth sketches.

-hire a model and take a photo shoot remembering the importance of lighting and setting.

-scan in found images remembering to scan at a high resolution.

-work out final compositions on Photoshop by compositing and using other Photoshop tools that I learn along the way.

- make oil paintings from these Photos on larger panels.

Monday, September 21, 2009

Significant Objects

I came across this website the other day and thought it was an interesting project- it is called significant objects. Basically the idea is that the curators find an everyday object a pair it up with a writer who then writes a ficticious story about it and then they sell both together on ebay. All proceeds go to the writer. It seems like an interesting attempt to combine theory, photography, writing and the internet.

Monday, September 14, 2009

Day Night Day Night

I just recently saw this movie and thought I would share. It is one of the best movies I have seen in a while. It is about two days of a girls life who you come to find out is a suicide bomber. It has no music and beautifully shot scenes, which allows for a very raw and existentialist perspective on otherwise mundane set of activities that we all go through on a daily basis. I won't ruin it by telling any more.

Thursday, September 3, 2009

Hello

Hello to everyone on here. My name is Justin Schaefer and I am an MFA candidate in the drawing and painting department at CSLB. In my practice I tend to explore psychological and dreamlike spaces based around the human form. If you would like to see some of my work go to convergencepoint. I will also be giving the class a presentation of my work in the not to distant future. I look forward to working with everyone in this class and hope to learn as much as possible from you this semester and hopefully beyond.